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This first day of touring filming locations was conducted by professional guides in small, 13 person vans with no roofs (for easy sightseeing). After lunch, delegates swapped places and took the tour they had missed that morning. Everyone had lunch in the atrium of the Sony Pictures Plaza building. One group visited Laurel & Hardy locations in Beverly Hills and Cheviot Hills, while the other group visited the Sony Pictures Studio in Culver City. Buses left the Loews Hollywood Hotel around 9 a.m.
#A perfect day laurel and hardy registration
After a self guided tour of the ship, delegates returned to the hotel.īased at the Loews Hollywood Hotel, located in the heart of Hollywood on Highland Avenue near the corner of Hollywood Boulevard, the convention was known as "Laurel and Hardywood." With registration open earlier in the week, delegates were ready to start the convention first thing Wednesday morning.
Laurel & Hardy sailed to Europe aboard the Queen Mary in 1947. The tour then traveled to Long Beach for lunch aboard the RMS Queen Mary. Buses left Hollywood in the morning and headed to Newport Beach for a two-hour cruise aboard John Wayne's private yacht, The Wild Goose. Lunch was at the Los Angeles Farmer's Market.Ī John Wayne tribute took place on Tuesday as an optional pre-convcention activity.
#A perfect day laurel and hardy plus
The day included a two-hour walking tour of Hollywood Forever Cemetery plus stops at Forest Lawn - Hollywood Hills and Holy Cross Cemetery. John Cassavetes, 1974).The Habeas Corpus Tour was an optional, pre-convention tour of various cemeteries that are the final resting places to many of Laurel & Hardy's co-stars and members of Our Gang. Charles Laughton, 1955) and A Woman Under the Influence (dir. Billy Wilder, 1944), The Night of the Hunter (dir.
#A perfect day laurel and hardy archive
The Archive is celebrated for its restoration efforts, and many of its projects are presented at prestigious venues and film festivals around the globe, including the films of Laurel and Hardy, Stagecoach (dir. The collections include narrative and documentary features, avant-garde and LGBT media, television series, news and public affairs programs, and over 27 million feet of newsreel footage. UCLA Film & Television Archive is renowned for its pioneering efforts to rescue, preserve and showcase moving image media, and is dedicated to ensuring that the collective visual memory of our time is explored and enjoyed for generations to come.Ī unique resource for media study, the Archive is one of the largest repositories of moving image materials in the world with more than 450,000 holdings. Top to bottom: an original 1930 work print, a 1945 nitrate composite dupe negative, and the original 1930 camera negative. The different sources used in the Archive restoration of Laurel and Hardy’s Hog Wild (1930). You can help us restore their surviving films to their original vitality, guaranteeing enjoyment for generations to come. The most popular titles are often the most worn, torn and in need of repair, and this is certainly true of the work of Laurel and Hardy. Our moving image heritage is incredibly vulnerable: 50% of films made in the U.S.
Join us on our mission to restore their films! UCLA Film & Television Archive is inviting film fans around the world to keep Laurel and Hardy’s legacy alive. Their films have been recognized as cinematic treasures by the Library of Congress, and have inspired generations of comedians like Dick Van Dyke, Ricky Gervais and Jerry Seinfeld. Decades later, the boys are still inspiring laughter, whether they’re pushing a piano up an impossibly long staircase or staging film history’s biggest pie fight. The world’s most beloved comedy duo, Stan Laurel and Oliver Hardy starred in over 100 shorts and feature films from the silent era to the 1950s.
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